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VS/N: 8 instances of innuendo and drawings of nudes. VV: 2 scenes, fish hook caught in finger and car crash VP: 33 expressions, both mild and harsh. VD: 7 scenes with drinking, 6 scenes with smoking Nude Pumps. Elevate your style with a pair of nude pumps. From sophisticated slingbacks to statement-making platform silhouettes, discover the perfect shoe from The largest comic database online, Comic Vine features Comic Reviews, News, Videos, and Forums for the latest in and more!
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Nominated for 1 Oscar. See more awards. Known For. Juno Juno MacGuff. Inception Ariadne. Hard Candy Hayley Stark. X-Men: Days of Future Past Kitty Pryde. Show all Hide all Show by Job Year Rating Number of Ratings Genre Keyword Edit. That was no accident. It was former showrunner Bryan Fuller 's idea, following in his long tradition of giving his female protagonists masculine names.
See: Dead Like Me 's George Ellen Muth ; Pushing Daisies ' Chuck Anna Friel ; and Wonderfalls ' unisex Jaye Caroline Dhavernas. It's his signature move to name his lead women with names that would typically be associated as male," executive producer Aaron Harberts said at the Television Critics Association summer press tour last month. Sonequa Martin-Green Reveals the Emotional Moment Nichelle Nichols Passed the Star Trek Torch. After tossing around a couple of options, the writers eventually landed on Michael for the first officer of the USS Shenzhou.
That's a deep dive on female Michaels," Harberts said. It was just like, 'This is a really, really interesting name. Martin-Green was on board with the moniker twist from the beginning, which she calls a "lovely symbol," as it not only helped her understand her character's backstory - a human raised by a Vulcan James Frain - but is in line with the franchise's message of open-mindedness and diversity, and a future with more gender fluidity.
Michael certainly wouldn't be the first female TV character named after a father, if that in fact becomes canon: How I Met Your Mother 's Robin Cobie Smulders was born Robin Charles Scherbatsky Jr. because her father had wanted a son. VD: 2 scenes with smoking, 2 scenes with drinking. Director: Larry Clark. With Brad Renfro, Rachel Miner, Nick Stahl, Bijou Phillips, Michael Pitt, Kelli Garner. Based on a real-life incident, this grim drama follows in the footsteps of Clark's notorious "Kids," combining information and titillation by showing a youthful cast enacting youth-culture behavior at its most destructive.
The movie's somber message is worth heeding, and the acting is mostly excellent. Director: John Madden. With Nicolas Cage, Penelope Cruz, Christian Bale, Irene Papas, John Hurt.
While this romantic fantasy has a fair amount of shooting and killing, its heart is in the ill-starred love affair that dominates most of the plot. This would be fine, if the romance were well enough written, directed, and acted to capture our hearts as well.
But the only ct that emerges a winner is the gorgeous Mediterranean scenery. VV: 8 gory war scenes. VP: 5 harsh expressions. VD: 9 scenes with alcohol, 3 with cigarettes. Director: Lawrence Guterman. With Jeff Goldblum, Elizabeth Perkins, Alexander Pollock, voices of Tobey Maguire, Susan Sarandon, Alec Baldwin. The plot pants so hard to please all conceivable tastes - touching every base from "Babe: Pig in the City" and " Dalmatians" to "Chicken Run" and the "Austin Powers" pictures - that it makes less sense than the average pet-food commercial.
Director: Kasi Lemmons. With Samuel L. Jackson, Aunjanue Ellis, Colm Feore, Ann Magnuson, Sean MacMahon, Tamara Tunie, Anthony Michael Hall. More psychological realism and less showy cinema would have made this offbeat melodrama more memorable, though. Director Wayne Wang relies on a self-consciously arty digital film style and brutally direct sex scenes - some of which border on pornographic - to make his film appear groundbreaking, but it ultimately leaves its audience as cold as its lifeless characters.
By Amanda Paulson. VV: 1 instance of beating. VP: 48 harsh expressions. VD: 2 scenes with smoking; 8 scenes with alcohol. Told through an imaginative blend of ravishing camera work and chanted "pansori" storytelling, this astoundingly beautiful Korean production is poignant, original, and engrossing.
Elliot Page, Actor: Juno. Elliot Page was born in Halifax, Nova Scotia to Martha Philpotts, a teacher, and Dennis Page, a graphic designer. Page wanted to start acting at an early age and attended the Neptune Theater School. They began their career at the age of 10 on the award-winning television series Pit Pony , for which they received a Gemini nomination and a Medium: Created by Glenn Gordon Caron. With Patricia Arquette, Miguel Sandoval, Sofia Vassilieva, Maria Lark. Suburban mom Allison DuBois attempts to balance family life with solving mysteries using her special gift. The dead send her visions of their deaths or other crimes while she sleeps Ellen Page marked Pride Month in a series of topless Instagram photos with her wife, Emma Portner. The spouses posed in a black and white photo that showed them about to kiss. "HAPPY PRIDE Estimated Reading Time: 2 mins
In Korean with English subtitles. Director: Lucrecia Martel. With Mercedes Moran, Martin Adjemian, Graciela Borges, Leonora Balcarce. Martel shows great promise as a visual stylist and a director of strong performances, vividly etching her characters and condensing the experiences of three generations into a single economical story.
But her screenplay gives little of interest, once the novelty of meeting these people has worn off. The title means "The Swamp," and you may feel you're in one after minutes with such a generally unlikable gang. Banned in its own country, the film stands with the most compelling movies ever made about specifically female challenges and tribulations. Director: Michael Winterbottom. With Peter Mullan, Sarah Polley, Wes Bentley, Nastassja Kinski.
It's not clear why Winterbottom has moved the story to California in In any case, his version seems more clever than heartfelt, and whether you enjoy it may depend on how much you like Robert Altman's eccentric western "McCabe and Mrs.
Miller," which it uncannily resembles. VV: 9 scenes including a brawl, gunfights and a suicide. VP: 7 including many harsh expressions. VD: 9 scenes of smoking. Director: Francis Veber. With Gerard Depardieu, Daniel Auteuil, Michel Aumont, Jean Rochefort. Not only has his wife left him, but he is about to lose his job in a condom factory. Desperate, he pretends he's gay to save his job.
And thus begins his trajectory from superbly dull, utterly conventional bore to a man suddenly more interesting to his co-workers, his family, and himself. Daniel Auteuil and Gerard Depardieu star in this delightful farce, in the tradition of "La Cage Aux Folles," which, at its best, is laugh-out-loud funny and incredibly warm-hearted.
Director: Michael Haneke. With Juliette Binoche, Alexandre Hamidi, Ona Lu Yenke, Luminita Gheorghiu, Thierry Neuvic. Haneke brings his usual dark sensibility to bear on the multifaceted story, expressing the fractured quality of modern city life through scenes that wander through a labyrinth of missing links and lost connections. The overall effect is sometimes powerful, often puzzling, and generally less robust than single-minded Haneke films such as "The Seventh Continent" and the indelible "Funny Games.
teen films. This tale is about a love affair between a rebellious rich girl and a Hispanic boy who travels four hours a day to attend her school. The film avoids overplaying their cultural differences and there's a pleasing naturalistic feel throughout. Dunst also impresses with the energy and the nuances she brings to a suprisingly sexually explicit role. It's a pity there isn't enough of a compelling plot to capitalize on a promising premise.
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The flimsiest plot device sends Dundee, his girlfriend, and child from the Australian outback to Los Angeles. Dundee then wanders about L. from one flat episode to another. Stay home and watch the real crocodile hunter, Steve Irwin, on the cable's "Animal Planet" instead.
Director: Young Man Kang. With Susan Petry, Everardo Gil, Toya Cho, Ken Yasuda, Young Man Kang. The acting is uneven and most of the romancing seems so mismatched that it's not surprising when things fall apart time after time.
But there are appealing moments along the way, and the director gets impressive mileage with a budget that can only be called minuscule.
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Director: Kiyoshi Kurosawa. With Koji Yakusho, Masato Hagiwara, Anna Nakagawa, Tsuyoshi Ujiki. The story dawdles and meanders, but Kurosawa's visual imagination keeps it cinematically stimulating. Be warned that, like some other Japanese productions of the late '90s and early '00s, it contains quite a few grisly and ghastly images. Director: Woody Allen.
With Woody Allen, Helen Hunt, Dan Aykroyd, Charlize Theron, David Ogden Stiers, Brian Markinson, Elizabeth Berkley, Wallace Shawn. There are lots of plot twists and romantic angles. What's lacking is laughs. VV: 1 comic scene. VP: 13 mild expressions.
VD: 10 scenes with alcohol, 21 with cigarettes. One heroine is a nine-year-old girl deciding how to spend the last remaining hour before she officially becomes a woman by the standards of her culture; another is a wife who decides to assert her independence despite opposition from her husband, and the third is an elderly woman trying for a different kind of independence by making whimsical use of money that's fallen into her hands.
Every episode is charged with humanity and compassion. Directors: Scott McGehee, David Siegel. With Tilda Swinton, Goran Visnjic, Jonathan Tucker, Peter Donat.
Swinton has some affecting moments as the mom, but the rest of the acting is second-rate, and the directors previously known for "Suture," which also promised more than it delivered give it little originality or oomph. The same story was told vastly better in the melodrama "The Reckless Moment," directed by the Max Ophuls and starring James Mason in one of his most indelible roles.
Director: Guillermo del Toro. With Eduardo Noriega, Marisa Paredes, Federico Luppi, Inigo Garces. This moody ghost story follows generally familiar lines despite its unusual historical setting, but it's imaginatively filmed and builds a sense of brooding emotional power.
Director: Daniel M. With Robert Forster, Donnie Wahlberg, Bess Armstrong, Jasmine Guy. This modest comedy-drama begins as a mildly engaging tale of two conflicting but basically decent personalities, then loses its way in a crime-movie subplot and a less-than-believable love affair. Forster is always a pleasure to watch, though. Director: Rob Sitch.
With Sam Neill, Tom Long, Kevin Harrington, Patrick Warburton, Genevieve Mooy. Fact-based comedy about the triumphs and tribulations of the men who ran the enormous Australian broadcast receiver that transmitted live pictures around the world when American astronaut Neil Armstrong became the first human being to set foot on the moon.
The acting and screenplay are amusing, but director Sitch might have taken a more adventurous approach to a tale with such an adventurous subject. Director: Jan Hrebejk.
With Bolek Polivka, Csongor Kassai, Jaroslav Duslek, Anna Siskova. Well maybe you can. There's no time for heroes in this small Czech town torn apart by Nazi occupation. This is a typical tale of an unexceptional couple, risking their lives for the Jew hiding out in the basement, while they desperately try to hold onto a sense of normalcy in unusually troubled times. With a tasteless combination of horror and humor, "Divided We Fall" is a semi-successful, but unoriginal, portrayal of the strength of human character.
By Deborah Henderson. Their relationship grows more complicated when Djomeh falls in love with an Iranian woman and needs help winning her affection - no easy matter, given the strictness of Iranian courtship customs and the fact that he doesn't fit the local profile for a desirable catch.
The performances of this quiet Iranian drama are utterly genuine, and the story is a delicate blend of slice-of-life realism and soft-spoken social commentary. In short, it's as smart and entertaining as they come. Director: Gary Fleder.
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With Michael Douglas, Brittany Murphy, Sean Bean, Famke Janssen. The movie has promise as a psychological thriller, but the filmmakers show far more interest in chases and shoot-outs than characters and ideas. Director: George Gallo. With Orlando Jones, Eddie Griffin, Gary Grubbs, Daniel Roebuck. A New York banker Jones wrongly suspected of murder, trades identities with a crazy con artist from the streets Griffin and flees the city for Mexico, pursued by drug dealers, police, FBI, and a little dog with sharp teeth.
Not a good picture, but the two leads often rise above the convoluted plot, sloppy continuity, ethnic stereotyping, and excessive violence to provide some genuinely funny moments. Directors: Chris Weitz, Paul Weitz. With Chris Rock, Chazz Palminteri, Greg Germann, Regina King. When the angels in heaven discover that it wasn't "his time" yet, they offer him a temporary body that of an old, wealthy white manuntil they can find a more appropriate one for him.
With this "second chance," good-hearted Lance takes advantage of the opportunities this new body allows him, also proving that it's not what someone looks like, it's who they are that is important. There is a good moral message to this movie, but it's too crude for younger viewers and Rock's comedy is a little on the weak side. By Heidi Wilson. VV: 8 instances, including a suicide and attempted murder. VP: 75 expressions, mostly mild. VD: 7 scenes with alcohol, 1 scene with smoking.
This scruffy, streetwise drama was shot in the early s, but wasn't released for 20 years because of financial and technical problems.
Its main value is the prolonged look it gives of the late artist Basquiat, who was 19 when he played the leading role, and looks uncannily like the actor Jeffrey Wright, who played him in the later bio-pic "Basquiat. Director: Steve Carr. With Eddie Murphy, Kristen Wilson, and voices of Steve Zahn, Lisa Kudrow. Murphy reprises his role as Dr. Dolittle who must help save a forest from money-hungry loggers.
It delivers a few laughs with contemporary phrases such as "whaazzzuuuup," "Hasta la vista, baby," and "Hello, Clarice," but that's about it.
The writers rely on crude humor for cheap laughs. By Lisa Leigh Parney. Director: Renny Harlin. With Sylvester Stallone, Burt Reynolds, Estelle Warren, Gina Gershon. The story of this racing-car tale is pure formula: A young rookie beats all odds to come out on top, and finds out what he's made of.
But it's the racing scenes that take center stage, and the crashes are among the most realistic ever put on film. By Alex Kaloostian. VV: 7 scenes of video game-like car crashes, no gore.
VP: 11 mild expressions.
VD: 3 scenes with alcohol. Director: Jean-Jacques Annaud. With Ed Harris, Rachel Weisz, Jude Law, Eva Mattes, Joseph Fiennes, Bob Hoskins. Annaud seems more interested in epic visual sweep than deep-rooted human emotion, though, and interesting troupers like Harris and Law just go through the motions. Add a megadose of bombastic James Horner music and a perfunctory love-affair subplot and you have a movie that's its own worst enemy. VV: 15 instances, including gory war scenes. VP: 6 mild expressions.
VD: 11 scenes with smoking. Director: Shinji Aoyama. With Yakusho Koji, Miyazaki Aoi, Miyazaki Masaru, Saitoh Yohichiroh. Filmed in a style at once intimate and expansive, with understated acting and brilliant use of wide-screen black-and-white cinematography, Aoyama's celebrated movie is an ambitious psychological drama and a probing look at the intersections of kinship and friendship.
Director: Dominique Deruddere. With Josse de Pauw, Werner De Scmedt, Victor Low, Thekla Reuten. His scheme is to hold the country's top singer hostage until her manager gives him the backing he needs. This perfectly cast dig at fame and the entertainment industry, filled with misfits, look-alikes and wannabes, takes its potshots gently, with subtle delights and surprises at every fun.
In Flemish with English subtitles. VV: 2 mild scenes. VP: 15 harsh expressions. VD: 4 scenes with smoking, 4 scenes with drinking, 1 scene with pilltaking.
This comedy-drama means well, but it'll be a long time before you see more self-indulgent screenwriting and unpersuasive acting in a single movie. Director: Ivan Reitman. With David Duchovny, Julianne Moore, Orlando Jones, Seann William Scott. They have to stop the menace once the cute little critters become ugly big critters. At its best, this unevenly paced comedy is an amusing parody of monster movies.
VV: 7 scary scenes, but not too gory. VP: 40 mostly mild expressions. VD: 2 scenes with smoking, 2 with drinking. Director: Andrzej Bartkowiak. With Steven Seagal, DMX, Anthony Anderson, Jill Hennessey. Pandemonium reigns in Seagal movies. Here he's a Detroit detective who saves the US vice president from a kidnapping plot. His extreme tactics don't amuse the department's top brass, however, and they reduce him to daytime traffic details and nighttime rage-management classes.
But when he sniffs out a drug ring on his beat, he's right back to his old tricks. Plot twists when plot intrudes on anarchy and unusual casting rapper DMX's compassionate drug dealer keep this one from being a total cliche.
Occasional flashes of humor offer respite from the havoc. VV: 12 scenes. VD: 5 instances of drinking; 1 scene with smoking; 4 scenes with drug deals. Director: Ousmane Sembene. With Venus Seye, Mame Ndumbe Diop, Ndiagne Dia, Mariame Balde. The story touches on an enormously wide range of subjects - some personal, like the challenges of marriage in a society where men often have multiple wives, and others cultural or political, like the influence of Islamic traditions and the social uncertainties of a postcolonial African country.
Sembene has opened up a whole new world of African cinema during his illustrious career, and this intelligent yet easy-going masterpiece ranks close to his best work. In French and Wolof with English subtitles.
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Director: Liv Ullmann. With Erland Josephson, Lena Endre, Krister Henriksson, Thomas Hanzon, Michelle Gylemo, Johan Rabaeus, Stina Ekblad, Juni Dahr, Philip Zanden, Marie Richardson. The film's tone is so intimate that one of the characters is screenwriter Ingmar Bergman himself, who sets the story in motion by having a conversation with the female protagonist he's conceived in his imagination. On one level, "Faithless" is a probing look at love, marriage, loyalty, and other emotional issues.
On other levels, it's about the complex relationships between bedrock human feelings and the process of exploring these through art. It's rare for an Egyptian movie to look so closely and unflinchingly at class conflict and other forms of social disarray, but lively acting keeps the story engaging even when it wanders and meanders.
In Arabic with English subtitles. Not one offbeat word, glance, or gesture falls from their charming performances. They remain two snowflakes among holiday performances, which can oftentimes be more Scrooge than Kringle.
Director: Rob Cohen.
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With Vin Diesel, Paul Walker, Jordanna Brewster, Michelle Rodriguez. What has to go? Well, plot and characterization, but you'll be too busy tapping your feet and gripping your seat to notice.
Here's the deal: Brian, a not-so-hot rookie detective goes undercover to get to the bottom of a rash of truck hijackings. But will Brian learn how to double-pump the clutch before he blows out another set of piston rings?
And did I mention there are lots of neat car chases? VV: 11 scenes, including fighting. VP: 58 harsh expressions. VD: 3 scenes with smoking, 3 scenes with drinking. Breillat has probed issues of youthful sexuality before, most notably in her excellent "36 Fillette," and she's an expert at coaxing strong performances from actors with little experience. This disturbing drama has many telling moments, but it ends with an out-of-the-blue shock episode that raises more questions than it answers about the story's overall psychological perspective.
Originally titled "A Ma soeur! See it if your most outrageous dream is to see your most outrageous dreams made visible on the wide screen. Stay far away if that prospect seems too daring or daunting for comfort.
Director: Alex Winter. With Henry Thomas, David O'Hara, Bill Duke, Teri Hatcher, John Tracy. This offbeat drama has more atmosphere than logic, but a few sequences are strikingly well acted and filmed. Director: John Herzfeld. With Robert De Niro, Edward Burns, Kelsey Grammer, Karel Roden, Oleg Taktarov, Avery Brooks.
The premise is promising, but Herzfeld cares more about sensationalism than substance, and portions of the picture are far nastier than they had to be. VV: 17 often gruesome scenes. VP: 90 mostly harsh expressions. VD: 10 instances of alcohol; 14 scenes with smoking. Director: Hironobu Sakaguchi. With the voices of Alec Baldwin, Ming Na, James Woods, Donald Sutherland, Steve Buscemi, Ving Rhames.
The military wants to blast them into oblivion, but the brainy and beautiful Dr. Aki Ross thinks she can solve things with a more high-minded approach.
The movie is noteworthy because it's the first major Hollywood release to feature an entire cast of human characters generated completely through computer animation.
While this is a striking technical feat, it poses an artistic problem. On one hand, the movie abandons the anything-goes imaginativeness of animation by slavishly imitating real-life human traits. On the other, it abandons the expressive power of genuine human performances by artificially creating all its images.
Skeptics may feel that in its own small way, this sort of cinema is as dehumanizing as the aliens who serve as its intergalactic bad guys. VV: 14 instances, quite intense. VP: 18 harsh expressions. VD: 1 instance of drinking.
The premise is more interesting than the movie, which takes several wrong turns on its way to an unconvincing conclusion. Brown gives a smartly understated performance, though, and Paquin's talent continues to blossom. VV: 2 scenes with youths tussling. VP: 54 expressions, both mild and harsh. VD: 8 scenes with drinking, 3 scenes with smoking. This satirical drama tries to be an ated "Boogie Nights," but it would have more heft if the filmmakers had been supplied with talented stars, original ideas, and a barely adequate budget.
There's a very good reason. Joyce Eng Sept. 22, , a.m. PT. Star Trek: Discovery 's Sonequa Martin-Green is the first woman of color, not to mention first non-captain character, to lead a
A wry peek at the porn industry is all it has to offer. Director: Neal Slavin. With William H. Macy, Laura Dern, David Paymer, Meat Loaf Aday. Neighbors are also angry at a local Jewish shopkeeper, and he's tempted to regain their trust by joining in their attacks. Slavin treats the tale as a philosophical fable about the never-ending struggle between good and evil.
The result would be an important drama if the screenplay based on an early Arthur Miller novel didn't lapse into preachiness and imprecision at times.
Traditional music fans won't find much to enjoy here, but the movie has value as an anthropological visit to a strange and thriving milieu. Directors: The Hughes Brothers. With Johnny Depp, Heather Graham, Ian Holm, Robbie Coltrane. The movie works well as a straight-out horror yarn, proving that the Hughes Brothers are more versatile than their previous "ghetto pictures" suggest.
But it lacks the near-cosmic resonance of the book it's based on, a "graphic novel" by Alan Moore and Eddie Campbell that makes far more interesting speculations on mysteries of myth and history, space and time, good and evil, life and death. VV: 26 highly gory scenes. VP: 24 harsh expressions. VD: 15 scenes with alcohol, 7 scenes with cigarettes, 5 scenes with drugs. Director: Tommy O'Haver.
With Kirsten Dunst, Ed Begley Jr. His best friend's little sister Dunstalso in the play, helps him with his acting, but secretly loves him too. Thus their on-stage roles oddly mirror their off-stage lives.
Short's over the top drama teacher, Sisqo's stagehand dancing, and Begley and Kurtz as ultra-'70's parents lend their support, but this grab bag of dreams, fantasies, and musical numbers, though amusing at times, never really falls together.
VV: 8 scenes, including car accident. VP: 46 expressions, mostly mild. VD: 4 instances of drinking; 1 scene with marijuana. Director: Terry Zwigoff.
With Thora Birch, Steve Buscemi, Scarlett Johansson, Brad Renfro. Zwigoff's first fiction film recalls his documentary "Crumb" in the sympathy it shows for marginalia of American life that most people overlook and undervalue.
While this isn't a showy or flashy movie, it has social, psychological, and ultimately mystical overtones that raise it leagues above most other teen-centered comedies.
VP: 89 harsh expressions. VD: 6 scenes with drinking. Director: John Carpenter. With Ice Cube, Natasha Henstridge, Jason Statham, Pam Grier, Clea Duvall, Joanna Cassidy. Carpenter pulls out all the action-adventure stops, but he and coscripter Larry Sulkis forgot to write dialogue the audience could listen to without howling in disbelief. Henstridge is fun to watch as the Martian cop, though, and Ice Cube still has a powerful screen presence, even when he isn't bothering to act.
VV: 24 gory scenes. VP: 65 harsh expressions. VD: 2 scenes with cigarettes, 4 scenes with drugs. Director: John Fawcett. With Emily Perkins, Katharine Isabelle, Mimi Rogers, Kris Lemche. Then a mysterious creature invades their neighborhood, biting Ginger and turning her into a budding werewolf. Hence the title. This sardonic thriller blends teen-pic satire with finely tuned fright and a dark-toned view of teenage sexuality.
If you can take its explicit violence, it's a monsterfest that rarely loses it bite. Director: Daniel Sackheim. With Leelee Sobieski, Diane Lane, Stellan Skarsgard, Trevor Morgan. It isn't long before Ruby - played by the ever-sullen Leelee Sobieski - begins to realize that there's something creepy about their adoptive parents. This is one of those thrillers where lightning flashes ominously in a dark house; where the girl drops the car keys just as the killer is approaching the vehicle; where there's a false ending because the killer has to be killed twice.
Varda carries this concept a step further by recognizing that she herself has been a gleaner during her long filmmaking career, capturing images and situations that usually go unnoticed by people living busy lives. Originally called "Les Glaneurs et la glaneuse.
Director: James Ivory. With Nick Nolte, Kate Beckinsale, Jeremy Northam, Uma Thurman, James Fox, Anjelica Huston.
Written by Ruth Prawer Jhabvala and produced by Ismail Merchant, the film will be too staid and stolid for audiences on the hunt for easy entertainment. Ivory gives it a sumptuous visual style and an exquisitely crafted earlyth-century milieu, though, offering fine pleasures for the eye and the imagination. VP: 2 mild. VD: 9 instances of smoking, 6 instances of drinking. Director: Mark Steensland. With Robert Anton Wilson, Paul Williams, Miriam Lloyd, Ray Nelson. Admirers of "Do Androids Dream of Electric Sheep?
Don't expect much depth in this brief portrait, though. When a horticultural maven Mirren sees what he and his buddies have wrought, she soon has them in a national competition. The pro-rehabilitation message may be a bit obvious and the story a little pat wouldn't you know, the botanical guru has a pretty daughter?
Director: Chris Columbus.
With Daniel Radcliffe, Emma Watson, Robbie Coltrane, Maggie Smith. Rowling's lively novel about an year-old boy who discovers he's a natural-born wizard, enrolls in a school to learn magic and enchantment, and finds himself battling the sinister sorcerer who killed his parents when he was a baby.
Columbus fills the screen with colorful images that make a world of spells seem as solid as the one we travel every day. What you won't find are qualities a truly great movie adaptation might have offered - new layers of meaning, perspectives on the story that only film images could provide, and fresh insights into the tale's moral and ethical questions.
VV: 8 scenes, quite intense for small children. VP: 1 mild expression. VD: 1 scene with alcohol. Director: Ridley Scott.
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With Anthony Hopkins, Julianne Moore, Ray Liotta, Giancarlo Giannini, Frankie R. Faison, Francesca Neri. Scott has directed the picture with his usual heavy touch - even the boisterous "Lambs" seems subtle by comparison - and much of the action is as ponderous as it is predictable. Lector fans will get their fill, but be warned that the menu contains at least two scenes with over-the-top excesses that Hannibal himself might not want to swallow.
VV: 15 exceptionally violent scenes including cannibalism. VP: 5 expressions, mostly mild. VD: 9 scenes with smoking; 8 scenes with alcohol. Director: Laurent Firode. With Audrey Tautou, Faudel, Eric Feldman, Irene Ismailoff, Eric Savin. The movie has magical moments, but it's too contrived to gather much comic or dramatic power. Originally titled "Le battement d'aile du papillon. In a world where "don't nobody's father come back," O'Neill earns the boys' trust by showing up.
Initially, O'Neill's only reason for coaching is to collect his weekly check. But the harsh realities of life in the projects won't let him, or the viewer, remain callous for long. Meanwhile, the young cast of "Hardball" pitches laughs and tears, making sure both you and O'Neill think twice about how to live. By Nathan Smith. Director: Mark Waters. With Monica Potter, Freddie Prinze Jr. Staff DUD An art-restoration expert Pottermoves into an apartment with "the last four models in New York who don't smoke.
This romantic comedy is so awfully misjudged and ineptly executed in every department that, while it isn't quite a contender for the "so bad it's good" category, this critic was nonetheless dabbing tears of laughter from his eyes.
VV: 6 scenes, including fistfights. VP: 15 harsh expressions, 14 mild expressions. VD: 6 scenes with alcohol. Director: David Mirkin. With Sigourney Weaver, Jennifer Love Hewitt, Gene Hackman, Ray Liotta, Jason Lee, Anne Bancroft. The senior partner marries millionaires and then, before the marriage can be consummated, gets the daughter to tempt the groom to ensure a speedy divorce with a big payoff.
The cast is better than the material, especially Gene Hackman as a chain-smoking tobacco company executive in constant self-denial about the dangers of cigarettes.
At over two hours long, you may be left feeling a little bit conned by the end. VV: 11 scenes of slapstick violence. VP: 53 expressions, some harsh. VD: 6 instances of drinking; 25 scenes with smoking. Director: Scott Hicks. With Anthony Hopkins, Hope Davis, Anton Yelchin, Mika Boorem, David Morse. The movie takes on a lot of material, from the boy's problems with bullies and romance to the stranger's clairvoyant powers. Hicks doesn't always keep the story clear and compelling, but Hopkins is in top form.
VV: 6 scenes including beatings. VP: 13 expressions.
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